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10 thoughts on “Titus Groan

  1. Bill Kerwin Bill Kerwin says:

    What an odd fantasy No swords no sorcery no elves no thieves no imaginary beasts no multiple planes of existence nothing but a cavernous castle peopled by eccentrics with Dickensian names Sepulchrave Prunesuallor Swelter Flay whose lives are determined by centuries perhaps millenia of complex rituals Although the people themselves seem to be British the enormous burden of tradition under which they labor seems Asiatic in its detailed intensity and it is instructive to learn that Peake spent his formative years in China not far from the Imperial CityThis is superior fantasy but like The Worm Ouroboros it is not immediately accessible Peak was a painter and as a writer he exercises his painterly imagination by creating scenes particularly his major ones like the death duel of Flay and Swelter as if each moment were a tableau part of a series of individual canvases The reader is then faced with the duty of internalizing each of these stationary images combining them into a progression and then animating them sort of like ruffling the pages of a cartoonist's flip book in order to release the cinematic power of the scene For someone like myself who possesses a third rate visual imagination this reuires re reading certain passages than a couple of timesI must admit though that Peake's approach has a certain cumulative power It serves to preserve these odd angular characters of his like flies in amber trapped forever in their traditions like individual frames in an epic film circumscribed by the labyrinthine spaces of the monstrous castle that is Gormenghast


  2. J.G. Keely J.G. Keely says:

    I know of no author in all of the English language who is like Peake or who could aspire to be like him His voice is as uniue as that of Milton Bierce Conrad Blake Donne or Eliot and as fully realized I am a hard and critical man cynical and not easily moved but there are passages in the Gormenghast series which so shocked me by the force of their beauty that I would close my eyes and snap the book shut overwhelmed with wonderment and take a moment to catch my breathI would drop my head My eyes would search the air; as if I could find there the conclusion I was seeking My brow would crease in something like despondency or desperation and then of its own accord a smile would break across my face and I would shake my head slowly and laugh and sigh And laughPeake's writing is not easy fare I often needed room to breathe and time for contemplation but he is not inaccessible nor arduous He does not like Joyce or Eliot reuire the reader to know the history of western literature in order to understand him His story is deceptively simple; it is the world in which he sets it that can be so overwhelmingPeake writes with a painter's eye which is natural enough as he is famous as an illustrator than a writer the only self portrait in the National Portrait Gallery He paints each scene each moment in such careful loving playful detail that it can only be described by the original definition of 'sublime' a vista which is so grand and beautiful that it dwarfs our humanity evoking a wonder akin to fearBut Peake's writing is not so entirely alienating; on the contrary he is vividly concerned with life Gormenghast is the story of a life starting at birth though our hero only got as far as the cusp of manhood before Peake was seized by malady and death Each character is brightly and grotesuely alive The 'fantasy' of this book is not like so many epics magic signifying some allegorical moral conflict The magic of Peake's world is the absurdly perfect figures that people itThey are stylized and symbolic but like Gogol Peake is working off of his own system of symbology instead of relying on the staid familiar archetypes of literature Unusual as they may be there is a recognizable verisimilitude in the madness imbued in each Their obsessions uirks and unpredictability feel all too human They are frail mad and surprisingLike the wild characters of his sketches Peake writes in exaggerated strokes but somehow that makes them recognizable realistic and memorable than the unadorned reality of post modernists Since truth is stranger than fiction we find reality in his off kilter unhinged world This focus on fantastical characters instead of fantastical powers has been wryly dubbed 'Mannerpunk' or a 'Fantasy of Manners' It is a much enveloping and convincing type of fantasy since it engages the mind directly with visceral artistic techniues instead of relying on a threadbare language of symbolic power Peake does not want to explain the world but paint itTolkien can certainly be impressive in his stodgy way but after reading Peake it is difficult to call him fantastical His archetypal characters age old moral conflict and epic plot all seem so hidebound against the wild bulwark of Peake's imagination The world of Gormenghast is magical and dreamlike without even needing to resort to the parlor tricks of spells wizards and monstersPeake's people are fantastical than dragons because their beings are instilled with a shifting and scintillating transience Most dragons fearsome as they may be on the outside are inwardly little than plot movers Their fearful might is drawn from a recognizable tradition and I uestion how fantastical something can really be when its form and behavior are so familiar and predictablePeake's world though made up of things recognizable is twisted enchanted and made uncanny without ever needing to stretch our disbelief The real world is full of wonder confusion and revelation so why do authors think that making it less real will make it wonderful? What is truly fantastical is to find magic in our own world and in our own livesBut then it is not an easy thing to do Authors write in forms cliches archetypes and moral arguments because it gives them something to work with; a place to start and a way to measure their progress lest they lose themselves To write unfettered is vastly difficult and reuires either great boldness or great naivetePeake is ever bold You will never catch him flat footed; his pen is ceaseless He drives on in sallies and skirmishes teasing prodding suggesting but always in the end he is an electric presence evading our cumbersome attempts to catch him in any one place Each sentence bears a thought a purpose a beauty a consciousness The only thing keeping the book moving is the restless joy of Peake's wit his love and passion for his book its places characters and storyHe also has a love for writing and for the word which is clear on every page A dabbler in poetry his careful sense of meter is masterful as precise as Bierce And unlike most fantasists Peake's poetry is often the best part of his books instead of the least palatable Even absent his amusing characterization and palpable world his pure language is a thing to beholdIn the introduction uentin Crisp tells us about the nature of the iconoclast that being different is not a matter of avoiding and rejecting what others do that is merely contrariness not creativity To be original means finding an inspiration that is your own and following it through to the bitter endPeake does that here maintaining a depth pace and uality that is almost unbelievable He makes the book his own and each time he succeeds in lulling us into familiarity we can be sure that it is a playful ruse and soon he will shake free againAlas not all readers will be able to keep up with him Those desiring repetition comfort and predictability will instead receive shock betrayal and confusion However for those who love words who seek beauty who relish the unexpected and who find the most stirring sensation to be the evocation of palpable wonder I have no finer book to suggest No other fantasist is fantastical or achingly humanMy Fantasy Book Suggestions


  3. Cecily Cecily says:

    How to review this weird and wonderful book? The setting characters and plot etc are extraordinary but it is the language that is utterly bewitching The fact Peake was also an artist is evident in the special care with which he describes light or absence of skin and textures Anthony Burgess wrote that it “has the kind of three dimensional solidity which we often find in pictorial artists who take to words illustrations would have been supererogatory” – even though Peake sketched in the margins as he wrote and later editions were published with the pictures Peake's illustration of Titus going to his tenth birthday masueWriting in Tatler novelist Elizabeth Bowen said“It is certainly not a novel; it would be found strong meat as a fairy tale one of those works of pure violent self sufficient imagination poetry flows through his volcanic writing; the lyrical and the monstrous are inter knotted in the arabesue of his prose I predict for Titus Goran a smallish but prevent public that will probably renew itself and probably enlarge with each generation”GenreIt is usually classed as fantasy but it is like historical fiction with a dash of magical realism Or is it? This first volume has a profound sense of place Gormenghast castle is arguably the main character and its inhabitants “could not imagine a world outside it” but a very vague sense of time They have got to the 77th earl but electricity motor vehicles and even guns are unknownPlotThe title relates to the birth of Titus a male heir to the ancient house of Groan However it is really a richly imagined story of an enclosed world suffocating under the weight of detailed and largely pointless arcane ritual “If for instance his Lordship had been three inches shorter the costumes gestures and even the routes would have differed from those described in the first tome” and “It was not certain what significance the ceremony held but the formality was no less sacred for it being unintelligible”It explains how a clever upstart Steerpike uickly goes from orphan kitchen hand to rebel to opportunist to schemer plotting his rise to power and influence There is also a sub plot concerning Keda a woman from the mud huts outside the castle where the skilled Bright Carvers liveIt is always a page turner though at times the plot is slow because the descriptions are so rich Peake sometimes meanders along lengthy diversions eg when likening the cracks in plaster to an ancient map he goes on to imagine journeys across such a landscape and conjure strange metaphors” clean she was in the sense of a rasher of bacon” It will certainly improve your vocabulary though even the unfamiliar words are used so carefully that you can get the gist if you don’t have a dictionary to hand At other times Peake conveys a great deal in relatively few words “Lord Sepulchrave walked with slow strides his head bowed Fuchsia mouched Doctor Prunesuallor minced The twins propelled themselves forward vacantly Flay spidered his path Swelter wallowed his” which tells you most of what you need to know about almost all the main charactersThere are macabre episodes Peake is not afraid to kill off significant characters in nasty ways but also moments of wonder the sky pavement mystery the death owl and humour a comic cat and mouse fight in almost total darkness except for occasional flashes of lightning An Artist WritesPeake’s artistic eye is evident in vividly visual descriptions especially skin masonry and candle wax “His face was very lined as though it had been made of brown paper that had been crunched by some savage hand before being hastily smoothed out and spread over the tissues” Perhaps that is also why carvings are such a big deal in Gormenghast the annual competition is explained near the beginning of the novel rivalries are fierce and the carvers’ skill is the only reason the “dwellers” are tolerated so near the castle Yet what value is really placed on their skill when all but the best three carvings are ceremonially burned and even those winners are stored in a dusty attic rather than revered?For a few chapters the narrative switches to the present tense for no obvious reason “A Change of Colour” to the end of “Here and There” and Peake is oddly and confusingly inconsistent in how he refers to some people The Earl of Groan and Lord Sepulchrave are one and the same and his sisters are indeed his sisters even though they are also referred to as his daughter’s mother’s cousins and his daughter’s cousinsI love the second volume as well Gormenghast reviewed HERE but be warned that the third Titus Alone reviewed HERE is totally different and harder to appreciate Nevertheless I still think this is one of the best written books I know and like all great works only improves with each rereadinguotes• “Lord Sepulchrave walked with slow strides his head bowed Fuchsia mouched Doctor Prunesuallor minced The twins propelled themselves forward vacantly Flay spidered his path Swelter wallowed his”• Swelter’s voice is “like the warm sick notes of some prodigious mouldering bell”• Cracks in the wall “A thousand imaginary journeys might be made along the banks of these rivers of an unexplored world” A similar idea in Boy in Darkness when Titus looks at a mildewed spot on the ceiling• The Countess’s room was “untidy to the extent of being a shambles Everything had the appearance of being put aside for the moment”• “His Sourdust face was very lined as though it had been made of brown paper that had been crunched by some savage hand before being hastily smoothed out and spread over the tissues”• The Earl’s life and to some extent everyone else’s is governed by detailed and largely pointless arcane ritual “The second tome was full of blank pages and was entirely symbolic If for instance his Lordship had been three inches shorter the costumes gestures and even the routes would have differed from those described in the first tome” “It was not certain what significance the ceremony held but the formality was no less sacred for it being unintelligible”• “She Fuchisa appeared to inhabit rather than to wear her clothes”• “as empty as an unremembered heart” the “stage” in Fuchsia’s attic• Today I saw a great pavement among the clouds made of grey stones bigger than a meadow No one goes there Only a heron Today I saw a tree growing out of a high wall and people walking on it far above the ground Today I saw a poet look out of a narrow window I saw today a horse swimming in the top of a tower I saw a million towers today• The twins’ faces “were uite expressionless as though they were preliminary layouts for faces and were waiting for sentience to be injected”• An extraordinary metaphor at the end of this one about Irma Prunesuallor “ the appearance of having been plucked and peeled than of cleanliness though clean she was in the sense of a rasher of bacon”• “Treading in a pool of his own midnight”• “We are all imprisoned by the dictionary We choose out of that vast paper walled prison our convicts the little black printed words when in truth we need fresh sounds to utter new enfranchised noises which would produce a new effect”• Burned books are “the corpses of thought”• “lambent darkness” is a good oxymoron• Lightning is “a light like razors It not only showed to the least minutiae the anatomy of masonry pillars and towers trees grass blades and pebbles it conjured these things it constructed them from nothing then a creation reigned in a blinding and ghastly glory as a torrent of electric fire coursed across the heavens”• “The outpouring of a continent of sky had incarcerated and given a weird hyper reality of closeness to those who were shielded from all but the sound of the storm”All My Peake ReviewsAll my PeakeGormenghast reviews including biographiesmemoirs and books about his art are on a shelf HERE


  4. Evgeny Evgeny says:

    Dear bookI am breaking up with you It is not me it is you It is not you it is me; others think you are really cute I thought you were romantic and mysterious I got bored with you but this is really just me There were moments I was really happy and excited with you even if they were few and between Unfortunately these moments came too late in our relationships You are a good guy and I hope you will find happiness in your life Please do not invite me to a date I am washing my hair tonight And tomorrow And every other nightThis first paragraph is exactly blow by blow description of my impressions about this novel Let me retell it in different words I did not like the book much It was really just me as a lot of people consider it very original and classic of genre From its descriptions I expected something different; I thought it would be a very tale with lots of atmosphere of a dark castle with gloomy people living in it Instead I got a tale of really unexciting bland people going through pointless rituals There was a villain who manipulated events and people into doing his bidding in his uest for power; the guy brought some excitement to the story but there were two problems with it He started acting in the second half of the book which made the first part boring; he managed to make people to do his bidding not because he was an evil mastermind but for the simple reason that the said people had an I in single digits range This by the way is all I can say about the plot nothing else happened; almost nothing to be exact A male heir is born in castle Gormenghast seventy seventh in long line of Earls Most of the events are centered on him but he is off screen 99% of the time The author was a professional illustrator and it clearly shows in his writing His descriptions of places most notably the castle itself are excellent and with the uality rarely seen in literature The plot however is not the strongest point and neither are the characters The pretty descriptions alone could not carry the book for me and it became boring fairly fast After finishing the book I was still curious enough to read the synopsis of the second installment on Wikipedia It left me cold I read the synopsis of the last book At this point I was glad I stopped reading it The only justification for it was the fact that the author wrote it while being terminally ill He did not exactly finish it and the editor had to do a lot of work assembling written notes and leaving big chunks out This is a big excuse so I will not call it bad names which I would do otherwise without hesitation What is my final verdict? If you are really curious to see what the fuss is about read the first book If you really like it proceed to the second one Avoid the last one as a plague in any case My rating is 25 stars rounded up out of my respect for its classic status


  5. Agnieszka Agnieszka says:

    dreaming dreams no mortal ever dared to dream before Imagine a gigantic gothic like edifice with an endless maze of galleries roofs stairs and secret passages There are the Stone Lanes and the Hall of Bright Carvings cat room and Hall of Spiders the Tower of Flints and somewhere up in the clouds a Field of Flagstones; there are forgotten wings dark corridors dusty attics; there are primeval cedars and emerald mirrors of lawns The castle truly stony monster is huge and inconceivably old developed by seventy six generations to such an extent that now some of its parts fell into oblivion Its life’s been going on for generations with unchanging rhythm in accordance to countless laws and sterile rituals enshrined in tradition which meaning no one even tries to investigate or uestion Can you see it ? It is Gormenghast the family residence of Groans Because Gormenghast it is not only rambling castle but also its inhabitants Peake populated it with unforgettable characters Titus’ family and their servants are a tragicomical mixed bunch of neurotics psychopaths and eccentrics; grotesue in appearance and behavior sometime arouse laughter often horror or compassionTitus’ father Sepulchrave tragic and melancholic seventy sixth Earl of Gormenghast and the owner of the whole caboodle bricks guns and glory ; Gertrude his wife always surrounded by furry and winged menagerie her snow white cats and her ravens and magpies and owls; chief servant Mr Flay with his knee joints cracking while he walked; Swelter the huge and sadistic head cook; the librarian Sourdust authority of all rituals and laws; Rottcodd the curator constantly dusting the carvings or lying in his hammock; Slagg old nanny; Dr Prunesuallor with his uncontrollable laugh; dim witted twin sisters Cora nad Clarice; ambitious and cunning Steerpike like Dickensian Uriah Heep patiently weaving web of intrigues; and of course Titus himself newborn heir to the family seventy seventh Earl of Gormenghast Boy with violet eyesBut my favorite is Fuchsia Groan When we meet her she’s about fifteen with long wild black hair and smouldered eyes She is gauche in movement and in a sense ugly of face but with how small a twist might she not suddenly have become beautiful She wears shapeless robes though in fact she appears rather to inhabit than to wear her clothes She is sensitive and imaginative she's moody and changeable she's reckless and at the same time fragile and she's unhappy for not being the only child in the family any But from the moment when she sees her brother for the first time she feels for him that mixture of pity and tenderness we could as well call it love because she senses that except of her Titus is the only one who needs to escape pompous glory of Gormenghast I know the title is Titus Groan and I believe his time is yet to come I know there would be echoes in the passageways and uick lights flickering along the walls There would be tears and there would be strange laughter And dreams and violence and disenchantment And love itself will cry for insurrection For tomorrow is also a day and Titus has entered his stronghold I know it all But by now it is Fuchsia who stole the show Titus Groan is a majestic and epic vision and the crowning glory of that extraordinary novel is its style Glamorous monumental full of accurate evocative comparisons and personification so that not only people but also Gormenghast itself gives an impression of a living being Ancient castle is a scene for all human passions need for power and revenge anger and greed love and hatred; it’s a place of immense solitude and sorrow; it is a hermetic realm of uirkiness and dark beauty And yearning for the world outside the walls


  6. Bradley Bradley says:

    As I was reading this I kept thinking of all the great and richly detailed fantasies I've ever read from Tad Williams to Robin Hobb and then I just had to look up when this book had come outYou see I have this thing I like to read a book or at least books that are considered classics or the best of their genre with a clear and un jaundiced eye So sometimes I don't even read the blurb or the date of publication Actually I rarely look at the date I can usually figure it out by the styleOn the other hand this one had me stumped I got through nearly 34 of the novel before I broke down and found out that this was published in '46 I was shocked The level of detail the creepy magical realism the ritual building the clever descriptions and especially the the plot just screamed out maybe late seventies with a reliance on fully traditional fantasy with an evil minister type bringing down a kingdom But 1946? I have to readjust everythingSure this has a lot of great gothic elements and a heavy reliance on Dickens feeling like a timeless and isolated castle full of a loving people at first only to have it fall to the whiles of a lying snake And then I slowly realized just how much of an influence Titus Groan had upon so much modern fantasy You know those authors I mentioned? Yeah I'd eat my boots if they weren't heavily influenced by Peake It's that clear But how did I like this novel? I loved it What it didn't have in dastardly wars it did have in masterful prose sneaky action creepy and delightful and complex characters and truly brilliant descriptionsI'm really looking forward to reading the next one


  7. Markus Markus says:

    ”The darkness came down over the castle and the Twisted Woods and over Gormenghast Mountain The long tables of the Dwellers were hidden in the thickness of a starless night” This is the book hailed by Tolkien separatists as one to rival The Lord of the Rings This is the book that supposedly is the best book in the fantasy genre We are all entitled to our opinions but after having read Titus Groan I simply cannot understand why anyone would even come close to that conclusionTo me this is fantasy devoid of anything that makes the genre special None of the reasons why I love fantasy can be found in this book Not a single one And in addition to that I found the plot to be moving so slowly that every page was a struggle After having read almost a third of the book I felt ready to put it down and forget about itThat was part of the reason why I did not enjoy this as much as I could have that it does not really fit into my concept of fantasy which is probably different from the concept of fantasy in the minds of Peake's followers Frankly this book reads like a slightly modernised but very stereotypical fairytale with all the positives and negatives that comes withBut I desperately wanted to like this book and to some extent I did Despite being a fanatical supporter of Tolkien and his successors I found the prospect of reading something wholly different to be uite interesting Unfortunately the book didn’t live up to any of my expectations That does not mean that its uality is non existentMost commenters are saying that the writing is the best part and they are absolutely right Mervyn Peake can certainly write and even though it was not completely stunning I did enjoy it once I got into it But unfortunately the writing is the only good aspect of Titus Groan This book is the epitome of sacrificing substance for styleBut as many of you know I do enjoy flowery writing A lot And that instead of the crown on top of a masterpiece became for me a saving grace The wonderful descriptions of Castle Gormenghast and the Twisted Woods provided some small measure of enjoyment at times when I found the rest of the book to be painfully tedious and surprisingly mediocreI can see the positive aspects of it and I’m sure it’s a magical book for the right people But as far as I can see this is a fantasy book for those who do not appreciate fantasy Or for fantasy readers in need of a break


  8. Megha Megha says:

    “This tower patched unevenly with black ivy arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow” There stands the Gormenghast as if sealed inside a crystal ball looming in all its grotesue wonder The old musty smell The susurrus of narrow passages The torches casting an eerie circle of light The hustle and bustle of the castle dwellers while the Gormenghast watches stoically It has seen 77 generations of the Earls and by now it is ageless as if it has worn this air of decay since the beginning of timeThe dwellers of the castle no they don't merely live in the castle they are organic offshoots of the Gormenghast They scurry through its passages as blood runs through our veins You can take them out of Gormenghast you can't take the Gormenghast out of them These characters are easily a great candidate for the title of the best ensemble cast to be found in literature And Peake makes it so without obliterating any of their individual personalities Fuschia you are such a sweetheart The characters often get an irreverent treatment from Peake portrayed as exaggerated caricatures comical and outlandish Beyond this cartoonish humor Peake offers many a leisurely descriptions as he crafts spellbinding scenes laying down the little details one by one And just as easily he conjures up ominous moments sending a chill down the spine If any authors insist on detail oriented writing I wish they would write like Peake winks at Paul Scott Such atmospheric writing which brings alive a whole new world casting a mild spell works wonderfully for me It is Peake's masterful depictions that make the setting not the characters and not the story the protagonist hereThis book here is uniue and perfect I sayThe Voice of PeakeA few out of context excerpts from here and thereSwelter as soon as he saw who it was stopped dead and across his face little billows of flesh ran swiftly here and there until as though they had determined to adhere to the same impulse they swept up into both oceans of soft cheek leaving between them a vacuum a gaping segment like a slice cut from a melon It was horrible It was as though nature had lost control As though the smile as a concept as a manifestation of pleasure had been a mistake for here on the face of Swelter the idea had been abusedLady Groan raised herself in bed and looked fiercely at the open door bellowed in the deepest and loudest voice 'SUALLOR' The word echoed along the corridors and down the stairs and creeping under the door and along the black rug in the Coldroom just managed after climbing the doctor's body to find its way into both his ears simultaneously in a peremptory if modified condition Modified though it was it brought Doctor Prunesuallor to his feet at once His fish eyes swam all round his glasses before finishing at the top where they gave him an expression of fantastic martyrdomHis face was very lined as though it had been made of brown paper that had been crunched by some savage hand before being hastily smoothed out and spread over the tissuesThe crumbling castle looming among the mists exhaled the season and every cold stone breathed it out The tortured trees by the dark lake burned and dripped and their leaves snatched by the wind were whirled in wild circles through the towers The clouds mouldered as they lay coiled or shifted themselves uneasily upon the stone skyfield sending up wreaths that drifted through the turrets and swarmed up the hidden walls The Importance of Being TitusWhen reading this book I had looked up the name Titus on Wikipedia Among the notable people who were named Titus was the Roman emperor from 79 to 81 under whose reign the construction of The Colosseum was completed and it was inaugurated with games that lasted for 100 days Titus was also the name of Rembrandt's fourth child and he was often a figure or model in his father's paintings and studies


  9. Paul Bryant Paul Bryant says:

    Mervyn Peake was one of those gifted people you burningly resent he was a brilliant artist and then he thought oh I need something else to occupy my time when I'm not doing brilliant drawings and paintings hmm what can I do ah yes I'll write one of the century's greatest fantasies in one of the most individual and beautiful prose styles and create about a dozen of the most memorable and delightful characters in all of fiction including a real heartbreaker of a heroine called Fuchsia yes hmm that's what I'll do why notWell I really want to read this again I have such great memories of being elevated into a genuinely different gorgeous horrifying but completely seductive world that I want to go back I want to go back But I remember also my unhappy experience re reading Something Wicked this Way Comes see elsewhere Should I shouldn't I Mervyn Peake wrote an eually glorious seuel called Gormenghast also 500 pages then he developed dementia to the point where his wife attached a big label to his clothes which said something like If found wandering aimlessly please return to the following addressUpdate okay I went and bought the new illustrated edition of the whole trilogy in one big fat volume illustrated by Peake himself that is So there it's going to happen


  10. Christopher Paolini Christopher Paolini says:

    Titus Groan is another one of my favorite books and it along with The Worm Ouroboros had a big influence on me while writing the Inheritance Cycle The prose is incredible—it’s the ultimate gothic fantasy And it’s so rich it’s actually a little bit hard to read in one sitting; it’s better taken in small chunks Mervyn Peake like so many authors who survived and endured the World Wars—World War One particularly—had a sense of the grotesue and the grotesuely beautiful that is hard to find For anyone who’s looking for something that captures those elements I would recommend this series You’re not going to find anything like this among any other modern day writers The closest would be perhaps China Miéville but even he does very different things than Mervyn Peake


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Titus Groan [Read] ➬ Titus Groan By Mervyn Peake – Natus-physiotherapy.co.uk Titus o Herdeiro de Gormenghast é literatura fantástica mas não se assemelha a nada ue tenha sido escrito antes ou depois Gormenghast é um castelo antiuíssimo do tamanho de uma cidade e ue tanto Titus o Herdeiro de Gormenghast é literatura fantástica mas não se assemelha a nada ue tenha sido escrito antes ou depois Gormenghast é um castelo antiuíssimo do tamanho de uma cidade e ue tanto uanto sabemos pode ser a única construção em todo o mundo Sem pontos de referência para a nossa realidade o romance aduire uma atmosfera surreal e mágica As personagens são todas elas bizarras o taciturno e cadavérico Mr Flay o vulgar e obeso Swelter o ligeiramente deformado mas brilhante Steerpike E Titus o herdeiro de Gormenghast O castelo de Gormenghast é um mundo de pesadelo e nenhuma pessoa sã lá uereria viver e no entanto uão estranho belo e divertido é esse mundo Arrisue se nesta leitura pois nunca mais a irá esuecer.

  • Paperback
  • 437 pages
  • Titus Groan
  • Mervyn Peake
  • Portuguese
  • 03 October 2014
  • 9789728839888

About the Author: Mervyn Peake

Mervyn Laurence Peake was an English modernist writer artist poet and illustrator He is best known for what are usually referred to as the Gormenghast books though the Titus books would be accurate the three works that exist were the beginning of what Peake conceived as a lengthy cycle following his protagonist Titus Groan from cradle to grave but Peake's untimely death prevented compl.